The Correspondent

Gilbert’s dying. It became the whole thing. You, Bruce and Fiona, my brother, our friends, my work, the house, our life, all of that was sitting on the sidelines, but I was in the ring wrestling, bloody, half-dead, with Gill’s death. Parenting the other two, trying to help them with their own grief, was like acting. I could say what needed to be said, but I was only thinking of myself in the ring with Gill’s death. I have asked Bruce and Fiona about that period of time. I was surprised to learn they’re both in therapy. I think neither of us was able to shepherd them in those first crucial months, submerged, completely, in the swamp water of despair. We were needing the same thing, you and I, a temple in which to tuck away and disappear from the earth, to mourn at the altar of our desolation, but we had the children, so we could not. Could we have held onto each other? I’ve wondered. We did the best we could and it was not enough. The four of us came away injured, but is there any other way for a person to come through? Oh, Gilbert. I do hope there is an afterlife as I have always believed, a heaven. I hope I will see him and know him there. I believe I’ve been looking forward to death on one hand.

From the archives

·

1946

The Night

·

1946

You are a child in a small town. You are, to be exact, eight years old, and it is growing late at night. Late for you, accustomed to bedding in at nine or nine-thirty: once in a while perhaps begging Mom or Dad to let you stay up later to hear Sam and Henry on that strange radio that is popular in this year of 1927. But most of the time you are in bed and snug at this time of night.

It is a warm summer evening. You live in a small house on a small street in the outer part of town where there are few street lights. There is only one store open, about a block away: Mrs Singer’s. In the hot evening Mother has been ironing the Monday wash and you have been intermittently begging for ice cream and staring into the dark.

You and your mother are all alone at home in the warm darkness of summer. Finally, just before it is time for Mrs Singer to close her store, Mother relents and tells you:

Read more of this excerpt...

The Night cover

The Night

You are a child in a small town. You are, to be exact, eight years old, and it is growing late at night. Late for you, accustomed to bedding in at nine or nine-thirty: once in a while perhaps begging Mom or Dad to let you stay up later to hear Sam and Henry on that strange radio that is popular in this year of 1927. But most of the time you are in bed and snug at this time of night.

It is a warm summer evening. You live in a small house on a small street in the outer part of town where there are few street lights. There is only one store open, about a block away: Mrs Singer’s. In the hot evening Mother has been ironing the Monday wash and you have been intermittently begging for ice cream and staring into the dark.

You and your mother are all alone at home in the warm darkness of summer. Finally, just before it is time for Mrs Singer to close her store, Mother relents and tells you:

The Night cover

Read more of this excerpt...

WORDS TO LIVE BY

The big news climatewise, they're saying, is the Ice Age. Which is coming up. After uh, ten thousand years of decent weather, muck out the igloo, boys, and hunker down for ninety millennia of frostbite.

1988 ·

Yellow Dog
Martin Amis

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Boy cover

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