Hamnet

When Eliza hears these claims, made in her presence by people in the street, by neighbours, by those to whom she sells gloves, she doesn’t pretend not to have heard. She stops in her tracks. She holds the eye of the gossip in question (she has an unnerving stare: this she knows – her brother has told her often enough; it is, he says, something to do with the purity of her eye-colour, the way she can open her eyes wide enough for the whole iris to be seen). She is only thirteen but she is tall for her age. She holds their gaze long enough for them to drop their stare, for them to shuffle off, chastised by her boldness, her silent severity. There is, she has found, great power to be had in silence. Which is something this brother of hers has never learnt.

From the archives

·

1984

And Our Faces, My Heart, Brief As Photos

·

1984

I was in that state between waking and sleeping. From there you can wander towards either of the two. You can go away in a dream or you can open your eyes, be aware of your body, the room, the crows cawing in the snow outside the window. What distinguishes this state from that of full wakefulness is that there is no distance between word and meaning. It is the place of original naming. And from there I saw myself before birth, more than nine months before birth. The life-to-come in the womb was further away perhaps than death is now.

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And Our Faces, My Heart, Brief As Photos cover

And Our Faces, My Heart, Brief As Photos

I was in that state between waking and sleeping. From there you can wander towards either of the two. You can go away in a dream or you can open your eyes, be aware of your body, the room, the crows cawing in the snow outside the window. What distinguishes this state from that of full wakefulness is that there is no distance between word and meaning. It is the place of original naming. And from there I saw myself before birth, more than nine months before birth. The life-to-come in the womb was further away perhaps than death is now.

And Our Faces, My Heart, Brief As Photos cover

Read more of this excerpt...

WORDS TO LIVE BY

We imagined ourselves as being kept in some kind of holding pen, waiting to be released into our lives. And when that moment came, our lives – and time itself – would speed up. How were we to know that our lives had in any case begun, that some advantage had already been gained, some damage already inflicted?

2011 ·

The Sense of An Ending
Julian Barnes

NON-FICTION

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NEW MUSIC

Jump Kutz