Cat’s Cradle
Ambassador Minton went to the seaward parapet with his memorial wreath still in its case. And he delivered an amazing speech in honor of the Hundred Martyrs to Democracy. He dignified the dead, their country, and the life that was over for them by saying the “Hundred Martyrs to Democracy” in island dialect. That fragment of dialect was graceful and easy on his lips.
The rest of his speech was in American English. He had a written speech with him—fustian and bombast, I imagine. But, when he found he was going to speak to so few, and to fellow Americans for the most part, he put the formal speech away.
A light sea wind ruffled his thinning hair. “I am about to do a very un-ambassadorial thing,” he declared. “I am about to tell you what I really feel.”
From the archives
·
2015
The Sellout
“White babes don’t do nothing for me. You know that.”
“Bullshit, your fucking hard-on woke me up.”
“Aversion therapy.”
“What’s that?”
I balked at telling her about my father locking my head into the tachistoscope and for three hours flashing split-second images of the forbidden fruit of his era, pinups and Playboy centerfolds, in my face. Bettie Page, Betty Grable, Barbra Streisand, Twiggy, Jayne Mansfield, Marilyn, Sophia Loren; then he’d force ipecac and okra smoothies down my throat. I’d vomit my guts out while he blasted Buffy Sainte-Marie and Linda Ronstadt on the stereo. The visual stimuli worked, but the auditory stuff didn’t take. To this day, whenever I’m feeling down and troubled, I crank Rickie Lee Jones, Joni Mitchell, and Carole King from the stereo, all of who were shouting-out California way before Biggie, Tupac, or any of the Ice Coons. But if you look carefully, and the light is just right, you can see the afterimages of Barbi Benton’s naked centerfold burned into my pupils as if they were discount plasma TVs.
Read more of this excerpt...
The Sellout
“White babes don’t do nothing for me. You know that.”
“Bullshit, your fucking hard-on woke me up.”
“Aversion therapy.”
“What’s that?”
I balked at telling her about my father locking my head into the tachistoscope and for three hours flashing split-second images of the forbidden fruit of his era, pinups and Playboy centerfolds, in my face. Bettie Page, Betty Grable, Barbra Streisand, Twiggy, Jayne Mansfield, Marilyn, Sophia Loren; then he’d force ipecac and okra smoothies down my throat. I’d vomit my guts out while he blasted Buffy Sainte-Marie and Linda Ronstadt on the stereo. The visual stimuli worked, but the auditory stuff didn’t take. To this day, whenever I’m feeling down and troubled, I crank Rickie Lee Jones, Joni Mitchell, and Carole King from the stereo, all of who were shouting-out California way before Biggie, Tupac, or any of the Ice Coons. But if you look carefully, and the light is just right, you can see the afterimages of Barbi Benton’s naked centerfold burned into my pupils as if they were discount plasma TVs.
Read more of this excerpt...
WORDS TO LIVE BY
1942 ·
NON-FICTION
NEW MUSIC