Cat’s Cradle

Ambassador Minton went to the seaward parapet with his memorial wreath still in its case. And he delivered an amazing speech in honor of the Hundred Martyrs to Democracy. He dignified the dead, their country, and the life that was over for them by saying the “Hundred Martyrs to Democracy” in island dialect. That fragment of dialect was graceful and easy on his lips.

The rest of his speech was in American English. He had a written speech with him—fustian and bombast, I imagine. But, when he found he was going to speak to so few, and to fellow Americans for the most part, he put the formal speech away.

A light sea wind ruffled his thinning hair. “I am about to do a very un-ambassadorial thing,” he declared. “I am about to tell you what I really feel.”

From the archives

·

1955

Lolita, or the Confession of a White Widowed Male

Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of the tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo-lee-ta.

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Lolita, or the Confession of a White Widowed Male cover

Lolita, or the Confession of a White Widowed Male

Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of the tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo-lee-ta.

Lolita, or the Confession of a White Widowed Male cover

Read more of this excerpt...

WORDS TO LIVE BY

How can I tell you what I am when even I don’t know? I cannot. I am simply waiting.

1949 ·

The One Who Waits
Ray Bradbury

NON-FICTION

The Myth Of Sisyphus cover

NEW MUSIC

The Elephant 6 Collective